Oil On Canvas, Real Flavor of Old Masters

All Thomas Cole 's Paintings
The Painting Names Are Sorted From A to Z


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ID Image  Painting (From A to Z)       Details 
71567  
Landscape with Dead Tree, Thomas Cole
 
 Landscape with Dead Tree   Date 1828
22092  
Landscape with Dead Tree (mk13), Thomas Cole
 
 Landscape with Dead Tree (mk13)   1828 Oil on canvas 26 1/2 x 32 1/2'' Museum of Art,Rhode Island School of Design,Providence Walter H.Kimball Fund
22087  
Landscape with Figures A Scene from The Last of the Mohicans (mk13), Thomas Cole
 
 Landscape with Figures A Scene from The Last of the Mohicans (mk13)   1826 Oil on penel 26 x 43'' Berry-Hill Galleries New York
9878  
Landscape1825, Thomas Cole
 
 Landscape1825   Oil on canvas; Minneapolis Institute of Arts
45226  
Landschaft, Thomas Cole
 
 Landschaft   mk181 Komposition,der Heilige Johannes in der Wildnis 1827
45269  
Landschaft mit Baumstumpfen, Thomas Cole
 
 Landschaft mit Baumstumpfen   mk181 Landschaft mit Baumstumpfen 1827-28
69245  
Moon and Firelight, Thomas Cole
 
 Moon and Firelight   Medium oil on canvas Dimensions 91,4 x 122 cm
9916  
Moonlight, Thomas Cole
 
 Moonlight   Oil on canvas NY Historical Society,New York
9902  
Morning Mist Rising, Thomas Cole
 
 Morning Mist Rising   Plymouth, New Hampshirec.1830; Oil on canvas
9889  
Mount Chocorua, Thomas Cole
 
 Mount Chocorua   New Hampshire 1827Oil on panel 23 x 32.5 in
85292  
Mount Chocorua, New Hampshire, Thomas Cole
 
 Mount Chocorua, New Hampshire   Date 1827(1827) Medium Oil on canvas cjr
9946  
Mount Etna, Thomas Cole
 
 Mount Etna   1842 Oil on canvas
22118  
Mount Etna (mk13), Thomas Cole
 
 Mount Etna (mk13)   1842 Oil on canvas 32 x 48'' Collection IBM Corporation Armonk,New York
9954  
Mount Etna from Taormina, Thomas Cole
 
 Mount Etna from Taormina   1843; Oil on canvas; Wadsworth Atheneum, Hartford, Connecticut
26156  
Mount Etna from Taormina, Thomas Cole
 
 Mount Etna from Taormina   mk48 1843 Oil on canvas 78 3/8x120 5/8in Wadsworth Atheneum Museum of Art,Hartford,Connecticut,Purchased from the artist by Daniel Wadsworth for the Wadsworth Atheneum,assisted by Alfred Smith
22127  
Mount Etna from Taormina (mk13), Thomas Cole
 
 Mount Etna from Taormina (mk13)   1843 Oil on canvas, 78 5/8 x 120 5/8'' Wadsworth Atheneum,Harford
9971  
Mountain Ford, Thomas Cole
 
 Mountain Ford   1846Oil on canvas Metropolitan Museum of Art,NY
9885  
Mountain Sunrise, Thomas Cole
 
 Mountain Sunrise   Catskill 1826 Oil on panel 45 x 61 cm
86021  
New England Scenery, Thomas Cole
 
 New England Scenery   Date 1839(1839) Medium Oil on canvas cjr
3894  
Niagara Falls, Thomas Cole
 
 Niagara Falls  
9901  
Niagara Falls, Thomas Cole
 
 Niagara Falls   1830Oil on panel Art Institute of Chicago
56519  
niagarafallen, Thomas Cole
 
 niagarafallen   mk248 cburcb, en mastare pnoramaliknamde landskap, var coles elev ocb bar utfort nagra underbara bilder i den romasntiska traditionen av det forindustriella usa. hans niagarafallen at erger det spektakulara fallet med em typ iskt inspirerad ocb masterlig gestning av ljus, rtmd ocb vatten.
3898  
Notch of White Mountins, Thomas Cole
 
 Notch of White Mountins  
9969  
Picnic, Thomas Cole
 
 Picnic   1846 Oil on canvas; The Brooklyn Museum,NY
9937  
Portage Falls on the Genesee, Thomas Cole
 
 Portage Falls on the Genesee   1839 Oil on canvas; Historic Seward House,Auburn,NY
9974  
Prometheus Bound, Thomas Cole
 
 Prometheus Bound   1846Oil on canvas 64 x 96 in.
71982  
Resti dell'acquedotto Marcio presso Tivoli, Thomas Cole
 
 Resti dell'acquedotto Marcio presso Tivoli   Resti dell'acquedotto Marcio presso Tivoli 1832(1832)
9952  
Roman Campagna, Thomas Cole
 
 Roman Campagna   1843Oil on canvas Wadsworth Atheneum,Hartford Connecticut
22126  
Roman Campagna (mk13), Thomas Cole
 
 Roman Campagna (mk13)   1843 Oil on canvas,32 1/2 x 48'' Wadsworth Atheneum,Hartford,Connecticut,Bequest of Mrs.Clara Hinton Gould
9911  
Romantic Landscape with Ruined Tower, Thomas Cole
 
 Romantic Landscape with Ruined Tower   1832 Oil on composition board Albany Institute of History and Art, NY
58398  
Romantic landscape with Ruined Tower, Thomas Cole
 
 Romantic landscape with Ruined Tower   Romantic landscape with Ruined Tower (1832-36)
69172  
Romantic Landscape with Ruined Tower, Thomas Cole
 
 Romantic Landscape with Ruined Tower   Medium oil on board Dimensions Unknown
70669  
Romantic Landscape with Ruined Tower, Thomas Cole
 
 Romantic Landscape with Ruined Tower   Medium Oil on canvas Dimensions 86.4 x 116.8 cm
70670  
Romantic Landscape with Ruined Tower, Thomas Cole
 
 Romantic Landscape with Ruined Tower   Medium oil on board Dimensions Unknown
9953  
Ruins of Taormina, Thomas Cole
 
 Ruins of Taormina   1842; Oil and pencil on board
23275  
scene from Last of the Mohicans (nn03), Thomas Cole
 
 scene from Last of the Mohicans (nn03)   1827 Oil on canvas 64,.5 x 89 cm 25 3/8 x 35 1/16 in Wadsworth Atheneum Hartford CT
9913  
Scene from Manfred, Thomas Cole
 
 Scene from Manfred   1833Oil on canvas Yale University Art Gallery, New Haven, Connecticut
3899  
Scene from The Last of the Mohicans, Thomas Cole
 
 Scene from The Last of the Mohicans  
22089  
Scene from The Last of the Mohicans Cora Kneeling at the Feet of Tamenund (mk13), Thomas Cole
 
 Scene from The Last of the Mohicans Cora Kneeling at the Feet of Tamenund (mk13)   1827 Oil on canvas 25 3/8 x 35 1/16'' Wadsworth Atheneum,Hartford,Connecticut Bequest of Daniel Wadswor
9936  
Schroon Lake, Thomas Cole
 
 Schroon Lake   1838 Oil on canvas; 34 x 46 in.
9929  
Schroon Mountain, Thomas Cole
 
 Schroon Mountain   Adirondacks,Essex County, New York after a Storm1838; Oil on canvas; Cleveland Museum of Art, Ohio
45270  
Schroon Mountain Adirondacks, Thomas Cole
 
 Schroon Mountain Adirondacks   mk181 Cleveland
22144  
Schroon Mountain,Adirondacks (mk13), Thomas Cole
 
 Schroon Mountain,Adirondacks (mk13)   1838 Oil on canvas,39 3/8 x 63'' The Cleveland Museum of Art,Hinman B.Hurlbut collection
22116  
Self-Portrait (mk13), Thomas Cole
 
 Self-Portrait (mk13)   c 1836.Oil on canvas, 22 x 18'' Courtesy The New-York Historical Society New York City
9920  
Sketch for 'View from Mount Holyoke,  Northampton,Massachusetts, after a Thunderstorm, Thomas Cole
 
 Sketch for 'View from Mount Holyoke, Northampton,Massachusetts, after a Thunderstorm   1836; Oil and pencil composition board
9934  
Sketch for Dream of Arcadia, Thomas Cole
 
 Sketch for Dream of Arcadia   Oil on paper, laid down on canvas
45229  
Skizze Fur Blick vom Munt Holyoke, Thomas Cole
 
 Skizze Fur Blick vom Munt Holyoke   mk181 Northampton Massachusetts nach einem Gewitter
45230  
Skizze fur Oxbow, Thomas Cole
 
 Skizze fur Oxbow   mk181 1833 aus dem Skizzen buch
51393  
Study for Dream of Arcadia, Thomas Cole
 
 Study for Dream of Arcadia   mk218 1838 Oil on wood panel 22.2x36.8cm
72174  
Study for The Cross and the World, Thomas Cole
 
 Study for The Cross and the World   between 1846(1846) and 1847(1847) Oil on panel 30.1 X 46.2 cm (11.85 X 18.19 in)
73791  
Study for The Cross and the World, Thomas Cole
 
 Study for The Cross and the World   Date between 1846(1846) and 1847(1847) Medium Oil on panel Dimensions 30.1 X 46.2 cm (11.85 X 18.19 in) cyf
22134  
Study for The Cross and the World:The Pilgrim of the Cross at the End of His Journey (mk13), Thomas Cole
 
 Study for The Cross and the World:The Pilgrim of the Cross at the End of His Journey (mk13)   c 1846-48 Oil on canvas 12 x 18'' National Museum of American Art,Smithsonian Institution,Washington,K.C.Museum Purchase
71488  
Subsiding of the Waters of the Deluge, Thomas Cole
 
 Subsiding of the Waters of the Deluge   Date 1829(1829) Medium Oil on canvas Dimensions 35 3/4 x 47 3/4 in. (90.8 x 121.4 cm)
9900  
Subsiding Waters of the Deluge, Thomas Cole
 
 Subsiding Waters of the Deluge   Oil on canvas; National Museum of American Art, Washington,
9884  
Sunrise in the  Catskill, Thomas Cole
 
 Sunrise in the Catskill   Mountains 1826Oil on canvas National Gallery of Art, Washington
22090  
Sunrise in the Catskill Mountains (mk13), Thomas Cole
 
 Sunrise in the Catskill Mountains (mk13)   1826 Oil on canvas 25 1/2 x 35 1/2'' National Gallery of Art,Washington,D.C Gift of Mrs.John D.Rockefeller 3rd in honor of the Fiftieth Anniversary of the National Gallery of Art
9928  
Sunset of the Arno, Thomas Cole
 
 Sunset of the Arno   1837 Oil on canvas
9958  
Temple of Segesta with the Artist  Sketching, Thomas Cole
 
 Temple of Segesta with the Artist Sketching   1843 Oil on canvas; Museum of Fine Arts, Boston
22139  
The Ages of Life:Youth (mk13), Thomas Cole
 
 The Ages of Life:Youth (mk13)   1842 Oil on canvas,134 x 194 cm Washington (DC),National Gallery of Art
62883  
The Architect's Dream, Thomas Cole
 
 The Architect's Dream   1840 Oil on canvas, 136 x 214 cm Museum of Art, Toledo, Ohio Cole called Turner the prince of evil spirits, and he sought a form of expression for his megalomanic visions that at first sight looks more peaceful. In this painting the excessive size of the capital, on which the architect has reclined in reflection, only becomes clear on closer inspection. However, the reversal of the real conditions is intrinsically threatening, and this is hardly more peaceful than Turner's chaos. Artist: COLE, Thomas Title: The Architect's Dream , painting Date: 1801-1850 American : other
44231  
The Architect-s Dream, Thomas Cole
 
 The Architect-s Dream   1840 Oil on canvas, 136 x 214 cm
96291  
The Architects Dream, Thomas Cole
 
 The Architects Dream   1840(1840) Medium oil on canvas cyf
88931  
The Cascatelli, Thomas Cole
 
 The Cascatelli   1832(1832) Medium Oil on canvas Dimensions 33.75 x 44.5 in (85.7 x 113 cm)
9910  
The Cascatelli ivoli, Looking Towards Rome, Thomas Cole
 
 The Cascatelli ivoli, Looking Towards Rome   1832Oil on canvas Columbus Museum of Art Ohio
22100  
The Cascatelli,Tivoli,Kooking Towards Rome (mk13), Thomas Cole
 
 The Cascatelli,Tivoli,Kooking Towards Rome (mk13)   c 1832 Oil on canvas 32 3/4 x 44 1/2'' Columbus,Ohio,onloan from Mr.and Mrs Walter Knight Sturges
88467  
The Clove Catskills, Thomas Cole
 
 The Clove Catskills   1827(1827) Medium Oil on canvas cjr
9892  
The Clove ws, Thomas Cole
 
 The Clove ws   Catskills 1827Oil on canvas New Britain Museum of American Art,
22086  
The Clove,Catskills (mk13), Thomas Cole
 
 The Clove,Catskills (mk13)   1827 Oil on canvas 25 x 36'' Collection New Britain Museum of American Art,New Britain,Connecticut,Charles F.Smith Fund
3891  
The Connecticut River near Northampton, Thomas Cole
 
 The Connecticut River near Northampton   1846
3893  
The Consummation from the series : The Course of the Empire, Thomas Cole
 
 The Consummation from the series : The Course of the Empire   1836
44237  
The Consummation of the Empire, Thomas Cole
 
 The Consummation of the Empire   1836 Oil on canvas, 130 x 193 cm
68907  
the course of empire, Thomas Cole
 
 the course of empire   desolation 1836 oil on canvas 98.1x158.1cm se
56213  
the course of empire destruction, Thomas Cole
 
 the course of empire destruction   mk247 1836,oil on canvas,39.25x63.5 in,100x161.2 cm,new york historical society,new york,ny,usa
22103  
The Course of Empire: The Consummation of Empire (mk13), Thomas Cole
 
 The Course of Empire: The Consummation of Empire (mk13)   1836.Oil on canvas, 51 1/4 x 76'' Courtesy The New-York Historical Society New York City
22104  
The Course of Empire:Desolation (mk13), Thomas Cole
 
 The Course of Empire:Desolation (mk13)   1836.Oil on canvas, 39 1/4 x 63 1/4'' Courtesy The New-York Historical Society,New York City
25717  
The Course of Empire:Desolation (mk43), Thomas Cole
 
 The Course of Empire:Desolation (mk43)   1836
9975  
The Cross and the World, Thomas Cole
 
 The Cross and the World   Study for Two Youths Enter Upon a Polgrimage One to Cross, Other 1846Oil on canvas Edwin A. Ulrich Museum of Art, Wichita State University, Kansas
9976  
The Cross and the World, Thomas Cole
 
 The Cross and the World   Study for 'The Pilgrim of the Cross at the End of His Journey' 1846Oil on canvas National Museum of American Art, Washington,
9977  
The Cross and the World, Thomas Cole
 
 The Cross and the World   Study for 'The Pilgrim of the World on His Journehy' c.1846 Oil on canvas; Albany Institute of History and Art,NY
58401  
The Departure, Thomas Cole
 
 The Departure   The Departure (1837)
22106  
The Departure (mk13), Thomas Cole
 
 The Departure (mk13)   1838.Oil on canvas, 39 1/2 x 63'' Iection the Corcoran Gallery of Art Washington,D.C Gift of William Wilson Corcoran
66247  
The dream of the architect, Thomas Cole
 
 The dream of the architect   Oil on canvas 1840
58399  
The Garden of Eden, Thomas Cole
 
 The Garden of Eden   The Garden of Eden (1828)
82182  
The Garden of Eden, Thomas Cole
 
 The Garden of Eden   The Garden of Eden, 1828, Oil on canvas Date 1828 cjr
85832  
The Garden of Eden, Thomas Cole
 
 The Garden of Eden   1828, Oil on canvas cyf
86501  
The Garden of Eden, Thomas Cole
 
 The Garden of Eden   1828, Oil on canvas cyf
9943  
The Gardens of Van Rensselaer Manor House, Thomas Cole
 
 The Gardens of Van Rensselaer Manor House   1840Oil on canvas Albany Institute of History and Art, New York
21454  
The Giant's Chalice (mk09), Thomas Cole
 
 The Giant's Chalice (mk09)   1833 Oil on canvas,49.3 x 41 cm New York,The Metropolitan Museum of Art
33937  
The Giant-s Chalice, Thomas Cole
 
 The Giant-s Chalice   mk87 1833 Oil on canvas 49.3x41cm New York,The Metropolitan Museum of Art
22142  
The Hunter's Returm (mk13), Thomas Cole
 
 The Hunter's Returm (mk13)   1845 Oil on canvas 40 1/8 x 60 1/2'' Amon Carter Museum,Fort Worth
3896  
The Hunter's Return, Thomas Cole
 
 The Hunter's Return  
3897  
The Hunter's Return, Thomas Cole
 
 The Hunter's Return   Notch of White Mountins
40691  
The last of the Mohicans, Thomas Cole
 
 The last of the Mohicans   mk156 1848 Oil on canvas 64.5x89cm
22137  
The Mountain Ford (mk13), Thomas Cole
 
 The Mountain Ford (mk13)   1846 Oil on canvas 28 1/4 x 40 1/16'' The Metropolitan Museum of Art,New York,Bequest of Maria De Witt Jesup,1915
9938  
The Notch of the White Mountains, Thomas Cole
 
 The Notch of the White Mountains   1839Oil on canvas National Gallery of Art, Washington
22131  
The Old Mill at Sunset (mk13), Thomas Cole
 
 The Old Mill at Sunset (mk13)   1845 Oil on canvas,26 1/8 x 36'' Alexander Gallery,New York
9919  
The Oxbow, Thomas Cole
 
 The Oxbow   1836 Oil on canvas; New York Historical Society, New York
58400  
The Oxbow, Thomas Cole
 
 The Oxbow   The Oxbow (The Connecticut River near Northampton) (1836)
9932  
The Past, Thomas Cole
 
 The Past   1838; Oil on canvas; Mead Art Museum Amherst College, Massachusetts
66243  
The Past, Thomas Cole
 
 The Past   Oil on canvas 40 1/2 x 61 1/2 in. 1838

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Thomas Cole
1801-1848 Thomas Cole Galleries Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist. Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.



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